the 50$ sword i got from a shady flea market was diagnosed to be a wall-hanger rather than a prop so i spent today making it the prettiest wall-hanger in the land
That’s really impressive!
The art looks (and probably was) inspired by the borders and marginalia of a medieval manuscript, and the completed work is entirely in keeping with how real historical scabbards might have been decorated. The elaborate embossed and tooled-leather treatments often given to modern replicas may (or may not) be a bit excessive.
Check out @dbkcustomscabbards for examples of those.
Other sources suggest that historical scabbards did indeed have elaborate decoration as shown on funeral brasses. Whether this patterning was three-dimensional or painted is impossible to say, but it’s a point well made.
Except for really wealthy owners, I think simpler decoration (painting, non-complex tooling) was more likely since scabbards were, by construction and by function, more perishable and subject to damage than the swords they contained.
They were usually two slats forming a wooden core, perhaps lined with raw fleece for grip and lanolin-greasy blade protection, then wrapped in leather or fabric and completed with ornamental metalwork. This would have been a locket for the top and / or a suspension band for the middle and / or a chape for the bottom. It varied by period, and often the only metal piece was the chape.
It’s likely, IMO, that this metalwork, especially if fancy, was the most expensive part of any scabbard’s decoration, and would be transferred from a damaged to a replacement one as required.
With the OP painted scabbard they’re not necessary, since getting them would require careful measuring then shopping around to get the right size, installing them at this stage would obscure some of the completed painting, and unless very lucky, they would probably cost more than the sword did.
So, no.
*****
I found some examples of impressive scabbards here.
Really ornate hilts and scabbards are often a result of being associated with a saint or by becoming royal regalia, and the three on the right are all in this category.
The first two are kept in Vienna, part of the Holy Roman Emperor’s coronation accoutrements. One of them scores double points since it’s also a saint sword, attributed to St Maurice - although since there’s another St Maurice sword in Turin…
…and since Maurice himself was supposedly a Roman soldier, I take it all with a certain amount of seasoning, mostly salt.
The rightmost is called “Joyeuse”, named for the sword of Charlemagne (which wouldn’t have looked like this, either), and was part of French coronation ceremonial. Here it’s being worn by Louis XIV in full “it’s good to be king” cosplay.
And here it is again.
I have no idea why “Last Crusade” picked this one rather than something plainer, especially since I’m pretty sure the prop-shop sourced it from here.
There are, IMO, several better choices in the Del Tin catalogue, but I suspect the bling of this hilt rather than any subtle in-joke was what won the day.
*****
Finally, the whole appearance of the OP sword is helped enormously by it being of realistic design and proportion, rather than an eccentric SLO (sword-like object) with a weird-shaped blade and improbably fantastickal hilt.
Does it have a name, and if not, might I suggest “Bluebird”?
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